What Type of Acrylic Paint Matte or Gloss for Pour Art
Aureate Color Pouring Medium Matte (CPM Matte) is a very new and heady product for 2019. Unlike well-nigh acrylic mediums that develop an initial "peel" when drying, this medium avoids skinning over and therefore is quite resistant to "crazing". The added benefit is this procedure allows for air bubbles and tool marks to readily disappear.
In regards to pouring, craze-resistance is important and practical, and it allows more freedom while painting. CPM Matte levels well, creating smooth, uniform paint layers. It can be composite with Heavy Body, Fluid, or High Menses Acrylics as desired, although starting with relatively low levels of pigment (around ten% color) until you gain some experience with the production and its mannerisms is encouraged. The Color Pouring Medium Product Information Sheet has many suggestions to help get you started in the correct management.
Only because it's designed every bit a "pouring medium" doesn't necessarily mean that pouring is the only matter you tin exercise with it or that yous can only use CPM Matte in an artwork. There are other uses that brand CPM Matte a handy tool to keep in the studio, fifty-fifty if pouring isn't your thing. You can certainly still use brushes and tools to apply mixtures. Below are but a few of the other means you tin work with information technology.
Creating Color Fields
Translucent, ethereal color fields are like shooting fish in a barrel to create with CPM Matte and a pocket-sized add-on of acrylic paint. one-5% paint amounts are great for generating glazes that are both brush stroke free and smooth to the touch. Tone previous pigment layers or establish hazy backgrounds. You may brush or blade (or cascade, of course) relatively generous layers and spotter the tool marks dissipate as the layer relaxes. The glossy wet surface will offset level smoothly, so dry completely matte and flat.
Using CPM Matte with Iridescent and Interference Colors
Almost by accident we discovered that combining mica pigment based paints with this product yielded stunningly beautiful effects. Often the pairing of reflective pigments with matte medium results in thwarting. Try Interference Violet over Black Gesso, or Iridescent Silver over a gray base.
Alloy with Color Pouring Medium Gloss to adjust Sheen and Consistency
If the CPM Matte dries besides flat – both in terms of sheen and depth – for your taste, you can modify the medium with Color Pouring Medium Gloss (CPM Gloss). In order to add depth without necessarily creating a glossy paint layer, mix 7 parts CPM Matte with iii parts CPM Gloss.
In that location's a handy mixing tabular array that lists what each mixture will dry to in our Product Information Sheet. These blends may then be applied as desired with brush, blade and of course right from the mixing container!
Additionally, if you find the CPM Matte dries too thin for yous, add the CPM Gloss to reduce the amount of shrinking. These combinations besides aid the CPM Gloss' flow and leveling, so experiment with how various mixtures behave and not just on the dried finish.
Mix with Gesso to create a Leveling Gesso!
If you abhor sanding primed surfaces (similar me) to achieve a smooth gesso glaze then give this adjacent awarding a effort: Mix GOLDEN Black or White Gesso with the CPM Matte at 1:1 and apply a relatively generous layer then lay information technology apartment to dry. The result should be a smooth, apartment stop ready for painting. It is important to note that smoother substrates (hardboard, M.D.O. plywood, etc) result in a more uniform Gesso/CPM Matte layer.
This blend will not smooth out texture similar canvas weave when information technology dries. You'll need to create a smooth surface beginning and then utilize the mixture, or you tin use the CPM Gloss first then cover with the CPM Matte/Gesso mixture. Permit these primer coats plenty of time to dry out well (3 days is ideal) prior to painting.
Some Cautionary Guidelines
We do a wide assortment of testing of each product we create here at Golden Artist Colors. Aside from tests to confirm the robustness of the product equally a professional creative person tool, we farther engage in applications testing to push the boundaries of what the products are capable of doing for the artist. As i may doubtable, we can't possibly test every unmarried way one might utilise a new product. Besides, what fun would it be if we didn't allow our customers the chance to experience the borderland themselves?
Nonetheless, while testing the Color Pouring Medium Matte, nosotros observed some application anomalies nosotros did want to bring to lite to insure artists are enlightened of them and advise ways to reduce them (or make them!). It is e'er valuable when experimenting yourself to test your applications before embarking on of import projects.
Multiple applications of CPM Matte over highly absorptive surfaces may "mud-crack"
Unsealed supports such as crescent board readily absorb water and other additives in the medium. This may consequence in "mud-smashing" if the layers are built upward thickly. Slow drying, thick puddles of CPM Matte mixtures can develop bubbling under the fresh pour. This is more than likely to happen on stretched canvases because the weight of the moisture product bows the canvas and creates thick paint pools in the center.
To reduce both mud-cracks and bubbling:
- Utilise a layer or two of thin glossy acrylic to seal the substrate surface before the buildup of CPM Matte layers.
- Work on a level painting surface. Slight angles will crusade the paint to continue to move and create thick edges that dry slower than the rest of the pour.
- Thick layers dry more than slowly than thinner ones, and in turn are more probable to facilitate the generation of surface defects.
- Tilt the wet pours to "stretch" the product into a thinner pour.
- Avoid heavy pours unless the excess can flow over the edge later on.
- Try to limit the number of layers, but if yous plan to do many pours on one painting, keep them sparse.
- Support stretched canvases with underlying panels to reduce thick central pools.
- Thick layers dry out more slowly than thinner ones, and in turn are more likely to facilitate the generation of surface defects.
- Allow reasonable drying time between layers of CPMs and before moving onto other types of painting products.
Decision
Color Pouring Medium Matte offers some astonishing benefits for the artist. Compatible, matte layers costless of tool marks has been an elusive research goal for a while. We hope you'll try this production out and bear witness u.s. new ways to utilize it. Exist certain to visit the new Just Pigment Feel which will highlight using this product along with sister product: Color Pouring Medium Gloss.
Equally always, if you lot have any questions, comment beneath. Otherwise, contact united states of america at assistance@goldenpaints.com
Source: https://justpaint.org/becoming-familiar-with-color-pouring-medium-matte-its-more-than-just-for-pours/
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